First off is an interview with Transformers score composer Steve Jablonsky:
"I mean if you’re on an airplane and you’re listening to something with
headphones, sure it’s not going to sound as big or important as if you were in
my studio. He has so many things on his plate he might only have a minute to
listen to a piece and I’ve actually been asked that by his people. They’ll say
“the only chance that Michael has to listen to the cue is on his airplane”
because he’s on his way to China or something. And I know now to say “absolutely
not, I’m not handing this over so he can listen to it on his iPod. It’s just not
going to happen, it’s not fair to him, it’s not fair to me and it needs to be
presented properly”.
I think with each Transformers film he’s [Michael
Bay] wanted something different and he’s always had this kind of specific theme
where he’ll really want something special so he gives me these goals to reach,
“this needs to be really emotional”, “this needs to be really kick ass”, and he
always gives me new challenges. With Transformers 4 I haven’t had that many
conversations with him, but I get the feeling that he wants something wildly
different. Having said that we might use some of the old themes, though I’m not
sure because it’s Mark Wahlberg now and a whole different cast, so we might just
do something very different. The bottom line is Michael is paying me to make his
films better. Whatever ideas he’s got, I’m going to listen to them, and
fortunately he’s got these great ideas.
I fully expect on Transformers 4
whatever we do he’s going to want something wild and to go down some road where
we use some crazy instruments or something. I don’t know yet, we’ll see what
happens but he’s very adventurous in his creative process so I’ve learned that
from him I think. He loves electronic stuff mixed in and that’s really where I
got a lot of experience and now it’s part of my sound, I guess, because I get
asked to do it a lot. I record a lot of things and then manipulate them in my
computer and I really enjoy doing that that – combining it with the orchestra to
make something new – and he loves that sort of thing, hearing sounds he’s never
heard before."
Next is a second Age of Extinction interview. This one with Mark Wahlberg is much shorter:
“It's a completely different stand-alone movie" Mark told Access Hollywood of fourth Transformers film. "It
takes place after the third one, after the battle of Chicago. It's definitely
its own story."
"I think it's very different and fresh and people are
going to really enjoy it. I had a blast making it," he said. "And you're going
to see things in this particular movie that you haven't seen in the other
movies."
The last interview is with Rob Moore, a top Paramount Pictures executive. He discussed the Asian influence in Transformers 4, as well as Chinese product placement.
"Having those products certainly reinforces the fact that this is Chinese
culture and that there is a lot of story-telling happening there” Mr. Moore
said. “Working with our Chinese partners really helps us to ensure we are giving
an accurate picture of China. The Chinese locations, actors and environment all
look very natural and consistent with Chinese culture. As people start to learn
more about China, and now that there is a lot more sharing of information, we
will do much better."
Michael Bay said the Hong Kong scenes will comprise one-third of the
film’s length, while those in Wulong will last for two-and-a-half minutes. The
shooting in China was completed Monday. Another location outside the United
States was used for the movie, but Moore is giving nothing away, saying only
that it is a “very cold place.” The film also features a host of Chinese actors,
with Bay saying that actress Li Bingbing, who starred in “Snow Flower and
the Secret Fan,” will appear in the movie for 30 minutes. Some of the Chinese
actors in the new “Transformers” film appear in supporting roles, including
actor Han Geng and four newcomers to the industry selected from a reality
TV show organized by the Movie Channel. Three female farmers played impromptu
roles in the scenes shot in Wulong.
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